Learn How to Play the Irish Flute With Step by Step Instruction

FLUTE BASICS - FOR ABSOLUTE BEGINNERS

Effortlessly holding its own among traditional Irish music instruments, the flute is becoming more and more popular, perhaps because it shares much of its playing technique with its even more popular cousin, the tin whistle. This course is for absolute beginners and has all you need to master the basics, plus a whopping 24 Irish tunes!

By the end of this beginner’s course, you will have a repertoire of twenty four Irish tunes that sit very well on the flute, the knowledge of how to play with good tone and rhythm with basic ornamentation and a deeper understanding of the Irish music tradition. The course has 29 lessons—making it our biggest course on OAIM—broken into 3 to 4 tutorials each, where tunes are taught phrase by phrase.

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  • 18 lessons teaching how to play 13 very popular Irish tunes
  • PDF sheet music & mp3’s to download & keep for each tune
  • Progress at your own pace, pause & repeat videos
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BONUS!

  • Access our Entire Course Catalogue for Every Instrument
  • Library of over 150 popular Irish tunes to practice along with
  • Virtual Reality Sessions for the unique Irish Pub Session experience – a real treat for the Irish music lover
  • Community Forum of students and teachers, all friends with a love of Irish music

Your Tutor

Steph Geremia
Steph Geremia is an Irish flautist and singer highly regarded as one of the top musicians of her generation. Perhaps best known for her vibrant and versatile Irish flute playing and as a mainstay of the critically acclaimed group, Alan Kelly Gang, she brings a wealth of musical scholarship to her love for Ireland's North Connaught tradition, as displayed on her sparkling 2018 release Up She Flew."Exceptional skill and musicality. . . a masterclass in Irish flute." Folkworld ★★★★ RnR ★★★★ Songlines.Steph has toured extensively around the globe and performed at top world and folk music festivals including WOMADelaide (Australia),…
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Learn Irish Flute Online

Course Structure

The Flute Basics course is aimed at the absolute beginner flute player. It begins with the foundational steps of how to hold the instrument as well as an in-depth instruction in embouchure, which is the refined craft of blowing air into a wood instrument and involves the correct positioning and use of the lips, facial muscles, tongue, and teeth to produce the sound. So mastering embouchure is a vital piece for anyone new to the flute and the tutor does a beautiful job in explaining this with the support from a close camera angle to highlight the subtleties.

Once you can correctly blow into the flute you can move on to learning the scales of D and G. Essential instruction is given on when to take a breath in a tune and what technique to use in taking a breath, tips are also given on articulation, ornamentation, flute maintenance and how to gain clarity of tone in both the high and low register.

Demonstrating a deep understanding of the challenges involved in learning the flute, the tutor also addresses the most common issues that give so many flute players difficulties.

The traditional Irish tunes taught in this course are:

  • Tripping To The Well
  • The Rattling Bog
  • Báidiín Fheilimí
  • Buachaill Ón Éirne
  • The Foggy Dew
  • The Glenside Polka
  • The Rakes Of Mallow
  • Gander In The Pratie Hole
  • The Rocky Road To Dublin
  • Danny Ab’s
  • The Butcher’s March
  • The Rambling Pitchfork
  • O’Keefe’s Slide #1
  • O’Keefe’s Slide #2
  • The Boys Of Bluehill
  • Humours Of Whiskey
  • The Sunny Banks
  • Jimmy Duffy’s #2
  • The Munster Buttermilk
  • The Heathery Breeze
  • Brendan Tonroe’s
  • McGivney’s Fancy
  • The Crosses Of Annagh
  • O’Gorman’s Reel

Recommended Flute for Beginners

Much like the tin whistle, you need to have a flute in the key of D to play the vast majority of Irish tunes. And, much like any instrument, a good quality beginners instrument is essential to making your job as easy as possible. Affordable instruments can be found in the €600-1000 range and we would advise starting out on either a keyless flute or one with only a maximum of three keys (e.g. F, Bb and C or G#). Keyless flutes from Martin Doyle are in the lower end of this range whereas the same ones from Patrick Olwell will be in the higher bracket. Both are fantastic instruments. You would want to avoid buying cheap flutes online or in chain music shops as these are extremely difficult to play even for professionals. Another option is the go for a polymer/delrin flute from a maker such as Desi Seery (RIP) or Michael Cronnolly (M&E Flutes). These are less maintenance and obtain a tone that is almost identical to a wooden instrument. The disadvantage, however, is that they can be quite heavy and cumbersome making it a challenge for a beginner.

When choosing an instrument it is important to make sure that the flute you choose is relatively easy to play. If the instrument is extremely difficult to blow then this might deter you from playing the instrument. There are practice flutes that you can buy from around €100-€200, for example Hammy Hamilton has metal practice flutes which are okay but cannot be tuned so they are only really suitable for solo playing—which is fine when you are just a beginner. There are also some plastic flutes available but there can be intonation issues with these flutes. Try to get the help of a teacher or flute player to play the flute before you buy it just to check that the blowing is not extremely hard and that the intonation is okay. Other than these practice flutes, the next step would be around €600-€800 which would be a keyless flute from a flute maker, which would have a certain amount of waiting time, or something like a De Keyzer wooden flute that can be bought in a lot of music shops.

We usually recommend Martin Doyle flutes for beginners in the key of D. They are by far the best value for money wooden flutes on the market. If that’s too expensive buy a good Delrin one.

Advice Starting Out with the Flute: Posture, Holding and Tone

Enjoy the journey, every step of the way. Don’t progress to the next lesson until the current lesson is mastered. The key to flute playing lies in the embouchure, so you may need to stay at that lesson for a while before moving on.

1. Posture and Holding

You must sit up straight, the flute is to be kept off the shoulder and shoulders must be kept down. Keep your neck straight and bring the flute to the mouth, do not bring your mouth to the flute as this will change you posture. Work on your balance, try not to grip the flute, everything should be relaxed. Thumbs should be behind your second fingers; relax your arms with your elbows pointing the floor.

2. Tone

Work on your embouchure, which is the shape of you mouth when blowing. You should have a small pinhole of air blowing across the mouthpiece. Keep your embouchure nice and tight so no air escapes. If you find it hard to fill the whole flute to start, take off the head joint and just use this to get used to making a sound. For the low octave, tuck in the lower jaw and blow. Airflow is directed in a more downward motion, aiming at the lower cutting edge of the embouchure hole. For the high octave push out the lower jaw a little, tighten embouchure a little more and blow gently. Airflow is directed at a higher angle of the embouchure hole. Lifting the head a little can help here. You are recommended to experiment with your embouchure and directional flow, as every flute player is different. Also practice in front of a mirror so you can see your embouchure and always work on trying to get a nice clear tone. If your tone is hazy, then there is air escaping from your embouchure.

It is highly recommended to be familiar with any tune you are learning before you begin learning how to play it, so download the mp3 file and listen to it frequently first before beginning the tutorial on it.

Tripping to The Well
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FAQ's

Is the fingering on a flute the same as a tin whistle?

Yes, the fingering doesn’t change except for some harmonic notes and cross-fingerings which are not essential.

Do you need to have keys on the flute?

I’d say that 90% of Irish music doesn’t need keys to play. Most of the tunes are in G Major, A Mixolydian, A Dorian, E minor, D Major, B Minor. For the occasional A Major tune or D minor (Us flute players tend to avoid these anyways), half holing is an option.

However, if you really want to get keys – here is the order you should get them in – from most used to least used:

Long F natural
Short F natural
C natural (although there is a crossed finger version of this. The keyed version is a bit better intonation)
G sharp
B flat
E flat

Two F natural keys are necessary – depending on the musical passage, for example if the next note after the F natural is a D, it’s impossible to use the short one first.

Kirsten

I often hear about flutes cracking. How do I avoid this?

Wooden flutes are very susceptible to changing temperatures (especially extreme heat and cold). As such, they need to be treated regularly in the early years with oils (linseed, almond). As the wood matures, there is less regular maintenance required but oiling should always be a routine measure. This keeps the wood in good condition to avoid cracking but, in any case, caution should always be taken when travelling to very hot or very cold climates.

Some older generation players used a pint of Guinness to fix cracks. Should I do the same?

Please don’t. In their endearing ignorance those musicians would spill Guinness into the instrument and, yes, it would seal the crack temporarily. However, once the Guinness had dried out of it, the crack would reappear even bigger. They would continue to use the same remedy without realising that, gradually, they were destroying their instrument beyond repair. The same applies for putting the flute into a sink of water.

I've been trying to get a tone for weeks and still nothing! Am I doomed?

The flute is a particularly demotivating instrument because if you can’t get a tone from it, you can’t play music in any capacity whatsoever. But fear not. It has taken some of our tutors at OAIM weeks on end trying to get a tone before ever succeeding and our tutors will share their varied methods on how to approach your embouchure. The flute is a very personal instrument as it is connected directly to your face muscles and breath. As such, everybody has a unique way of finding the tone. If you persevere, you WILL succeed.

I play Boehm flute. Can I use that for Irish traditional music?

Technically, yes but, ideally, no. The tone of a silver Boehm flute that one finds in classical music is not suited to the timbre of Irish traditional music. There have been a handful of practictioners who use a silver flute (best known in, perhaps, Joannie Madden of Cherish the Ladies) but she grew up in a household steeped in the Irish tradition which paved a pathway for her endeavours. Most people are not so fortunate. Other musicians like East Galway’s Paddy Carty and Peter Broderick utilised the Radcliffe system which had Boehm-like keys fitted to a wooden bore. This allowed the musician to play in the many unusual, un-flutelike keys while still producing a pleasing tone (albeit still different to a simple-system flute). There’s really no point in short-cutting, learning the Irish flute demands that you do so on a simple-system instrument (i.e. open holes). If you would like to play chromatically, you can always get a fully-keyed, simple-system instrument (i.e. open holes with added levers for chromatic notes).

What is a concert flute? Is it a classical instrument?

This is a common misnomer. A concert flute, in the context of Irish traditional music, refers to concert pitch i.e. 440hz. This simply means that the flute is in the key of D. However, the term has widened it’s usage to refer to an Irish, open-holed, simple-system flute. It has nothing to do with a reference to classical concerts.

More detailed questions and discussion on the course can be found in the Community Forum*
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Flute Basics Lessons

1
Basic
Hand Finger and Lip Positioning

Hand, finger and lip positioning (embouchure) and the scale of D Major.

2
Basic
Scale of G

The Scale of G Major

3
Basic
Tripping to the Well

Exercises on the scale of G Major

4
Basic
Breathing Articulation

Breathing and Articulation

5
Basic
Clarity of Tone

Clarity of Tone for Low Notes and High Notes

6
Basic
The Rattling Bog

In this lesson, Steph will teach a simple tune in the key of D major called ‘The Rattlin’ Bog’.

7
Basic
Báidiín Fheilimí

Slurring Notes

8
Basic
Buachaill Ón Éirne

Slurring Notes

9
Basic
The Foggy Dew

Cuts

10
Basic
The Glenside Polka
11
Basic
The Rakes Of Mallow

Slurring notes

12
Basic
Gander In The Pratie Hole

Left hand Dexterity Cuts

13
Basic
The Rocky Road To Dublin

Breathing

14
Basic
Danny Ab’s

Slurring

15
Basic
The Butcher’s March

Phrasing and Breathing

16
Basic
The Rambling Pitchfork

Rolls Throat Articulation

17
Basic
O’Keefe’s Slide 1

Clarity of Tone for Low Notes and High Notes

18
Basic
O’Keefe’s Slide 2

Jig / Slide Rhythm Throat Articulation

19
Basic
The Boys of Bluehill

Ornamentation: The Triplet

20
Basic
Humours of Whiskey

Throat Articulation

21
Basic
The Sunny Banks

Tone: The Low D!

22
Basic
Jimmy Duffy’s 2

Tone: The Higher Register

23
Intermediate
The Munster Buttermilk

Jig Rhythm and Basic Ornamentation

24
Intermediate
The Heathery Breeze

Left hand dexterity

25
Intermediate
Brendan Tonroe’s

Approaching tunes that fall below low D on the flute

26
Intermediate
McGivney’s Fancy

Creating Rhythm using Throat Articulation and Cuts

27
Intermediate
The Crosses Of Annagh

In this lesson, Steph will teach the reel ‘The Crosses of Annagh’. In it, she will introduce the G roll…

28
Basic
O’Gorman’s Reel

Rolls

29
Basic
Instrument Maintenance

Instrument Maintenance

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